Sci fi ships concept art movie#

This option allows you to move, rotate or scale any sub-object selection (vertex, edge, polygon), restricting the transformation to the selected constraints (edge, face, normal). In any sub-selection mode of an editable poly, under the Edit Geometry rollout you will find the Constraints option. It's a very useful feature that most of the time is forgotten. I'm going to talk about this particular option right now because I use it a lot and I'm going to mention it a few times in this tutorial. Make the base model as simple as possible without much detail on it Notice that I also make each object based on the separations I previously made in the concept. Of course, all of the proportions I'm suggesting here may change in the future, but if we start with the right proportions before starting to add any detail, it's a better beginning. As you can see, it is a very rough and simple model, created by making simple boxes, adding edge loops and bevels, and scaling polygons to make the base shapes as close to the concept as possible. The object is in half, so you should apply a Symmetry modifier to work with it. I've provided you with the base mesh for this model ( here) so you can start with it and continue with the rest of the steps.

Make an evaluation of the concept and decide how you will divide the model In the image you can see how I interpret the concept and how I separate the different pieces. It is possible that each section has sub-objects, but the important thing now is to have a clear vision of the main shapes we will work on. Each one of these sections will be a single mesh in the future 3D model. It will be very helpful if we make a breakdown of the whole object and divide it into different sections. I hope that my tricks and methods will be helpful for all of you, and worthy to be used in your own models.Д«efore starting any modeling, we need to see the concept in detail and evaluate every object and piece we see on it. Finally, I will show how I optimize the mesh once the model is done. I will also show you the way I make final chamfers on the borders of the models to give them a more detailed finish.

I'm going to share how I made the panels and cut-lines, basically only using edge loops and edge extrusions. I've been working on ship models for about one year now, so I'm going to share my techniques to approaching different pieces of a model. Cahuenga Blvd., Hollywood, California.In this first part of this tutorial I'm going to show you how I made a sci-fi spaceship based on a concept by Markus Lovadina. The Art of Ctrl-Z runs through May 15 at Gnomon Gallery, 1015 N. I also added red sails to create a dramatic contrast against the overcast weather and dark gray ships.'Д¬heck out the gallery above for a sampling of fantastical works вЂ“ including futuristic hot rods, post-apocalyptic hellscapes and insectoid space probes вЂ“ by Le and Art of Ctrl-Z contributors Jaime Jones ( Halo: Reach ), John Park ( Captain America: The First Avenger), Scott Robertson ( Design Studio Press) and Steve Messing ( Spider-Man 3). 'I wanted to exaggerate the scale so the ship designs are stretched vertically. 'The giant ships are powered by giant trolls,' said Le, who cites Ridley Scott and Hayao Miyazaki as influences. One such evocative fantasy-scape is Invasion, an illustration Le created for ill-fated goblin game Project Offset. Here, their imaginary constructs are presented as freestanding art pieces.

Sci fi ships concept art movie#

He continues to imagine extraterrestrial environments for sci-fi concept art, some of which is on display in The Art of Ctrl-Z, an exhibit of fantastical works by movie and game artists who usually channel their creativity on behalf of someone else's project.